Gillian Bradshaw's
London in Chains
While this is a romance, that is not its strength. The romantic elements are not really developed as opposed to the historical context and background that Ms. Bradshaw provides us in what becomes an excellent glimpse into a time that perhaps most know little about.
London, after the victory of Parliament over Charles I was not all celebration and happiness, but was in turmoil, the victors fighting over the spoils of war as happens frequently when the victors are not led by one mind. We see this as our heroine comes to London for the first time and has to deal with allies who were oppressors, family that loves and hates her, and a city that is tightly held in an inflationary spiral which happens when a country has been beset by a war that has ravished it.
Add the religious pressures that Parliament was suffering as well to this mix where all those who know the truth of their vision of god tried to wrest control of the nation, and London is indeed in Chains as Ms Bradshaw names the book. What we see also is the rise of printing in this era and a comment that is made, about how no General would dare go to war without their own press, (which reminds me a great deal of Douglas Macarthur) and we see that our Heroine is poised to show us a glimpse of this period that I had no idea of. Before this work, I thought Parliament won, Charles was incarcerated and eventually Parliament voted to behead him, and then Cromwell was made supreme. Yet much was to be done before that happened as I now know. (I am a product of the US education system)
Though there is a romance for our Heroine, and some little time is devoted to it, it does not seem fully fledged as the hero of this action is taken away off stage. That there is some interaction and words between hero and heroine to put the building blocks for a relationship and that they view each other philosophically similarly might breed true, but still, if romance be ones first inclination, more should take place. If History is what you would like to delve into in a period piece, than look no further for the period of 1647 and 1648 one can do little better. At every turn of the page Ms Bradshaw is able to add depth to her world, painting with words details that little occurred to me, but that I think all would find enriching. I recommend this to those who find history of an interest in their reading.
At Amazon US or at Amazon UK
Reviewed by David