Update from Suzy.

 

 

It's lovely to be back, and far sooner than my good friend and ally Fran had thought would be possible.  It is not all that easy switching blog ownership from one person to another, but we have finally achieved it.  I am so pleased to be back at RRM, and cannot tell you how much I appreciated all your good wishes and sympathetic understanding when my mother passed away. It has been a sad rollercoaster year and I am now looking forward to moving on.  

 

 

Suzy
 

Latest Regency Romance!

Reviewed by Francine.

 

 

Alethea is a traditional Austenesque Regency tale, in which chance encounters lead to love and romance for two cousins. Of course, there are trials and tribulations along the way for both, and while Alethea is a somewhat headstrong young lady, Eleanor is older and more reserved. Both being borne to the genteel existence of a countryside abode – Alethea is utterly naive in the ways of aristocrats who take liberties at will with unsuspecting females. But once she’s introduced to the possibilities that infamous Almack’s can afford her, the world is suddenly her oyster.

 

Warned that one man is best not trifled with, for it would seem he delights in trifling with young ladies hearts, Alethea’s heart is soon suffering from romantic flutters whilst she remains utterly determined to resist any notion of surrender to his charms. But another, by far more dangerous man is soon taking more than he deserves and trouble suddenly abounds with the mere mention of his title. After all, mystery and intrigue is all very well until it comes too close for comfort. And while Alethea stands up to the bounder as a true heroine should, he nonetheless wreaks unknowing revenge that may well destroy any hope of happiness for her future. And there I shall leave you in suspense, for I thoroughly enjoyed Alethea’s initiation from innocent country girl to that of a young socialite caught up in the darker side of London Society. All the while, Eleanor, sweetly misguided into the belief she’s destined for spinsterhood, discovers otherwise! A lovely, lovely story.

Amazon



Latest 17th century novel.

 

 

 

Reviewed by Francine.

 

 

 

Historically accurate in every detail, this is a time slip novel that rips a reader from the 21st century and casts them back to Scotland in the year of 1658. It is the very year in which a great storm raged across the British Isles ripping up trees and flooding the land, and all on the very night Oliver Cromwell died. It is the year people throughout the Commonwealth held their breath in anticipation of “what now?” For with the Lord High Protector gone, and the populous wearied by two Civil Wars, a new Stuart era was secretly in the making.

 

 

And so, A Rip in the Veil begins in 2002 with Alexandra Lind, a typical 21st century woman, whom, accustomed the instantaneous age of electronic devices, is suddenly caught up in an electrical storm. Worse, the storm not only scares the proverbial out of her, every electronic device to hand malfunctions. What next? What to do? And little does she know Hell is about to open up and swallow her: literally.

 

 

In Mathew Graham’s world it’s 1658, and as a man given to strong belief in God, angels in his mindset don’t wear strange blue breeches nor are they devoid of wings. Trusting in God and instinct Mathew sees only a woman in need, and whilst tending to Alex’ needs he struggles to understand the complexity of her fate whilst his own is dire in itself. And when Mathew’s lifetime suddenly intervenes and danger is close at hand, Alex knows her life can never be as it was before, not unless she can find a way back to her own time.

 

 

Fate works in mysterious ways, and as time passes Alex is torn between the past and the present, or is it the present and the past? And while she’s not alone in comparing love in the past with love in the here and now, true hearts cannot let go, no matter the cost and no matter the losses along life’s path. Thus the Graham Saga begins.

 

 

Reader note: I fail to understand why some readers (Amazon) have taken affront at A Rip in the Veil and thus implying it is a rip-off of Diana Gabaldon’s “Outlander” Series. Publishing dates are far from proof that a series of novels were devised before or after one another, and for this very reason editors at publishing houses are oft quoted as saying “books drop on their desks with similar (almost identical) plots within weeks of one another, and while one may get taken up, others will be discarded”. Thousands of authors ply their novels to numerous publishers over a period of years, and few if ever are lucky enough to have their books snatched up and published. Coincidence of plots and even character names are more common than might be imagined, of which I can testify to, for a fellow author and I (FB friends) both dreamed up the same titled character and both of us were penning Regency novels, neither aware of the other’s project until both were published!



Latest Regency Review-Charlotte by Karen Aminadra

Those of us authors who write Regency Romances often also tackle the canon of Jane Austen and try to take her creations and add our own twist to them. This falls into a few groups, one that take the historical Jane and use her in their story, others who take her creations and are exceedingly true to them, as best they can, or take those characters beyond the short few paragraphs she left us at the end of her stories. I have done so and by so doing have put on paper my thoughts on how those characters would change. Ms. Aminadra has done so as well, using as her heroine, Charlotte Collins nee Lucas.

We are all familiar with the tale of Pride and Prejudice, and the farcical Mr. Collins whom Lizzy Bennet and Mr. Bennet both make fun of, though Lizzy for the sake of her friendship with Charlotte, when visiting and actually meeting the esteemed Patroness, understand more of what is in the nature of Mr. Collins. But that is the canon, and as Ms Aminadra weaves her tale, she has to embellish the few lines of what we guess will happen to the Collins'.

Charlotte of course is caught in the middle with what will occur post Pride and Prejudice as she will one day be the Lady of Longbourn and we know Mrs. Bennet the mother of her BFF is assured that she will be turned out right quick. Not that Mrs. Bennet should think that this is now as dire as it was before. From all the movies we have seen, Directors have chosen to show us that ten Longbourns could fit into any Pemberly and a room certainly could be found for her there, or at Netherfield. Yet back in Mertyn, one can be sure that Mrs. Bennet has something to say about Mrs Collins, the daughter of Lady Lucas who still is one of her closest friends, and rivals for attention in that neighborhood.

From this Ms. Aminadra is able to relate to us that Charlotte Collins has complexities, as well as from the Canon's reveal that Charlotte was never one to think she would wed for love. That clearly puts her on the quest to find love. And while Jane Austen left us with several ladies still in need of marrying at the end of Pride and Prejudice, of the men, their is but one, Colonel Fitzwilliam (discounting Denny and other men of the Militia Regiment we hardly met)

Close in approximation to reading one of Jane's works, we sometimes leave the POV of the women and see inside such men as Mr. Collins, or the Colonel. That is a depth Jane did not give us, but it adds to the brushed that Ms Aminadra paints this canvas with.

Here we are taken to a part of time, (though the idea that the Colonel and other officers could leave the theater of war easily is perhaps something that wasn't researched as well as it could have been) in the latest stages of the Peninsula Campaign years, (Wellington being referred to as Duke which came after that was over) that I believe the author means to be about 1812 to 1813. Shortly after Lizzy has accepted the marriage proposal of Darcy.

Charlotte, our hero is faced with trials that aid her to grow, and to have Mr. Collins see his life afresh, for now he is more than the client of Lady Catherine, but a husband, and as all married couples hope, to perhaps one day be a father as well. Yet there must be conflict and here Ms Aminadra adds lacquer to her painting, adding depth and dimension and perhaps a modern way of thinking of flirtation and dalliance that puts her on a part that causes change from the canon at a more accelerated pace, and even a different pace than those last few paragraphs in Pride and Prejudice might have allowed.

Some of these changes a reader will either enjoy very much. some elements that are added may cause the reader to feel that the characters have progressed much as they should. Other readers fearing that any change to the themes of characterization that Austen left us with is sacrosanct may have difficulty here. My favorite Lady Catherine, is the one of Edna May Oliver in the Olivier/Garson version of P&P where at the very end we see Lady Catherine telling Darcy to go offer for Lizzy is just the challenge he will need. Huxley changed Austen's intention in that 1940 screen classic, but I think it adds to the mystique.

Charlotte is a worthy read and should be explored by those who like all P&P sequels, and I am interested to see where Ms Aminadra is able to take us with her Austenesque work as well.

Available at Amazon US or Amazon UK

Reviewed by David

Historical Romance during the English Civil War

Gillian Bradshaw's
London in Chains

While this is a romance, that is not its strength. The romantic elements are not really developed as opposed to the historical context and background that Ms. Bradshaw provides us in what becomes an excellent glimpse into a time that perhaps most know little about.

London, after the victory of Parliament over Charles I was not all celebration and happiness, but was in turmoil, the victors fighting over the spoils of war as happens frequently when the victors are not led by one mind. We see this as our heroine comes to London for the first time and has to deal with allies who were oppressors, family that loves and hates her, and a city that is tightly held in an inflationary spiral which happens when a country has been beset by a war that has ravished it.

Add the religious pressures that Parliament was suffering as well to this mix where all those who know the truth of their vision of god tried to wrest control of the nation, and London is indeed in Chains as Ms Bradshaw names the book. What we see also is the rise of printing in this era and a comment that is made, about how no General would dare go to war without their own press, (which reminds me a great deal of Douglas Macarthur) and we see that our Heroine is poised to show us a glimpse of this period that I had no idea of. Before this work, I thought Parliament won, Charles was incarcerated and eventually Parliament voted to behead him, and then Cromwell was made supreme. Yet much was to be done before that happened as I now know. (I am a product of the US education system)

Though there is a romance for our Heroine, and some little time is devoted to it, it does not seem fully fledged as the hero of this action is taken away off stage. That there is some interaction and words between hero and heroine to put the building blocks for a relationship and that they view each other philosophically similarly might breed true, but still, if romance be ones first inclination, more should take place. If History is what you would like to delve into in a period piece, than look no further for the period of 1647 and 1648 one can do little better. At every turn of the page Ms Bradshaw is able to add depth to her world, painting with words details that little occurred to me, but that I think all would find enriching. I recommend this to those who find history of an interest in their reading.

At Amazon US or at Amazon UK

Reviewed by David

Latest Regency Romance/Mystery-The Regent Mysteries by Cheryl Bolen

Cheryl Bolen has brought together three of her stories of the Regent Mysteries together in a 'Boxed Set' which in digital form means three stories bundled as one. In the age of the cloud, we no longer can pull from our shelves these books that are all encased in a card board themed box.

The protagonists of these tales are Captain Jack Dryden and Lady Daphne Chalmers. Jack, an agent of the Earl of Wellington when the stories take place, has been seconded home to London at the request of HRH George, the Prince Regent. There is a serious problem that needs dealing with and George has decided he needs the 'best' so asks Lieutenant-General Wellesley to send him a man. Then, realizing the man is not rounded enough to deal with the Ton, the Prince asks that Lady Chalmers, a blue-stocking in the making that has everyone who meets her, forgive her for such antics, aid the hero.

That there are hints of a mystery that one can decipher the whodunit, as the only suspects we meet who are not historical by process of elimination have to be the culprits in each story, that leaves the love story. You must disregard the elements of the story to put this in that light. There are areas that have been well researched. Who the Prince Regent had affairs with and when, for instance.

There are parts that are not. Our Heroine decides to create characters, and give the hero a background, of diamond miners, fantastically wealthy diamond miners from South Africa. Where Diamonds and diamond mines are yet to be discovered and put into production. Further, Castlereagh and his agents, many of whom could interact easily with the Ton, would be closer to hand for the Prince Regent's needs.

So we have Daphne and Jack then, who through three mysteries, begin their courtship, their marriage and their honeymoon. With many improbables that we must put aside. Ms. Bolen seems to get inside the head of our blue-stocking and give her sense, reason, and the ability to think through situations like a chess match. Her hero, has those qualities of heroism that young ladies might idolize, but inside their own head, a man would little think of. But circumstance and events often have a way of making a match as well, and certainly that psychology works well here.

If you put aside the historic errors, and the jumps of logic that put these particular two into the mysteries that Ms. Bolen presents, then for a quick afternoon romp in the regency, you will find enjoyment. What we have is all a part of a series that is not fully mystery, not fully historical, not fully romance, but when mixed together each third makes for a pleasant whole.

At Amazon US or at Amazon UK

Reviewed by David

Georgian Romance - Seventh Heaven

Seventh Heaven by Elizabeth Bailey

 

 

Reviewed by Francine.

 

 

A Classic Georgian Romp!

 

The usage of Latin numerals for the renowned rather extensive and impoverished Berowne family is sheer author genius, and whilst all the respective siblings’ character traits shine through, Septimus [poet] outranks them all with his theatrical gestures and poetically inclined satirical wit. And how can the wealthy heroine, Lady Louisa, bedevilled by a surname that immediately draws the poet’s ear, ever hope to escape his inclination to verse? What is worse, no matter which way Louisa turns Berowne males step across her threshold or path with intent to wrest her from widowhood and to the altar quick sharp.

 

Louisa is far from a walkover conquest and her abrasive tongue temporarily quells specific male desires, but she becomes so embroiled in the affairs of the females of the Berowne family, she cannot see the danger of one male Berowne’s ambitions to outflank his brothers and gain due reward from villainous means. If not for the affable if irritating poet who wins her regard, Louisa’s fate might have proved dire to that which inevitably befalls her. And love it seems, as of old, blossoms in the strangest of circumstances. Hence, Seventh Heaven wins the day and will no doubt rule the proverbial home roost, and pray to heaven the happy couple’s future existence bears no resemblance to a theatrical farce, for this novel had me roaring with laughter from start to finish. This is a classic Georgian Romp!

 

Amazon



Swept Away by Vanessa Riley

Review by Katie

"Swept Away is a Regency retelling of Cinderella with a twist."

Overall, I believe many weary evening readers will enjoy this short fairy tale.  Swept Away follows the [by now] familiar pattern for inversion of gender stories.  We all know how hard authors work to make sure heroines are strong, independent, fully functioning beings with beauty unsurpassed.  That is, they don't *really* need anyone; therefore it takes a fairy tale, or incredible sexual prowess, to make everlasting love believable these days, snuggling with your stuffed bear and / or eating too many M&Ms is optional.

The writing was pleasantly free of grammatical torment and sentences joyously complete, making this an easy read.  Usage of terms wasn't overly modern just ... nudging it a bit here and there.  For those familiar with fairy tales but not the Regency period, there is a mini-glossary found at the back.  There are enough little surprises to lead a reader on to the next chapter and a gentle amount of tension. Subliminal faith-lite italics are not random insertions; they do fit the characters/story and were well handled. Secondary characters are not distracting and the happily-ever-after no more unbelievable than the original tale.

Charlotte is slightly spoiled, beautiful as an angel, conflicted but determined [this description is surely trending in the top 5 somewhere].   I confess I had difficulty hand-waving the Duchess thing since the character spent much of the book in angst over both the title and responsibility of "a girl with a man's title.  How much did the duke pay the Mad Kind to keep his legacy."  At the end of the book, Ms. Riley explains the character's title is based on the 2nd Duchess of Marlborough.  [Anyone slightly familiar with the Regency period will know this took an Act of Parliament, not the King's whim; gossip and disdain notwithstanding, there was a reason for this singular exception] Money does not buy everything, not even in fairy tales, or so I used to think.

Regardless of the manipulation to create a young, unmarried Duchess, the character was too modern to reach me.  She was all about her delayed teenage rebellion to a man she adored in one chapter, resented as a tyrant in another [perfectly normal for the modern miss].  Most of her frustration would never have occurred to a young woman of the time.  Fathers were expected to rule and run a daughter’s life even from beyond the grave, that’s what a guardian, dowry and marriage settlements were for, to safeguard a daughter’s interest for *her* lifetime, not just her parent’s.   Yes, it is a fairy tale, but if the tale is set in Regency England, then there are certain parameters that apply to assist the reader in remaining in the story, fairy tale or not.   Modern woman angst just doesn’t exist there, at least not for me.

As a third in the Triad of Determined Duchess and Slippers, I found Edwin Cinder endearing in a Beta Hero sort of way. He has a step family that is, thoughtless and self-centered but hardly wicked.  Maybe I was raised by wolves or I am incredibly thick skinned but if verbal slights and jabs from your family are the worst thing to cope with in life I say - WOW! how blessed you are.

He certainly did not need rescuing from his sad life.  He was not sleeping on any hearth, was in fact supporting his step-family in style while maintaining a business and his own home - an amazing accomplishment in any century.  Neither was he treated disrespectfully by the world or especially unhappy, just busy, too busy to fuss over stylish attire.  What on earth he found charming about the Duchess of Charming, in the brief time they spent together, I never quite grasped.  What type of help mate she'd make him, or vice versa was left to the ethereal mist [no doubt sprinkled with dust from fairies, not coal].   In other words, as a Cinder[feller] he was pretty much a flop for me.  As a hero in any other romance, I might have adored him if he'd been given more page time.

Of course, it is a fairy tale with a twist. The twist being there isn't one, not really, except for the reversal of genders and the strangest proposal I've ever read.  It made me sigh, in an old biddy sort of way because the final twist was how the power to purchase triumphed.  Therefore, I am as conflicted as Charlotte about recommending this book.  I think it will appeal to many readers and annoy others, the middle ground is probably best advised to read the sample pages.

Purchase Swept Away 

Latest Historical-True Soldier Gentlemen by Adrian Goldsworthy

True Soldier Gentlemen

by

Adrian Goldsworthy

Mr Goldsworthy starts us in his tale of the exploits of a fictional English regiment ahead of the action that was to take place in the Peninsula Campaign by several months with the conquest of Madrid by the French. Such a terrible time can only be conveyed into words with tales of atrocities, which might not recommend such a work to the many woman who read of the Regency Era and the romances that are created for it.

Goldsworthy further mixes in, with a hint here, and a glimpse over there, a very familiar George Wickham, the well remembered Rake we have met through Jane Austen's creative work, Pride and Prejudice. He has a part to play here as well. Later, rather than earlier, we find that Goldsworthy's Wickham, along with his wife Lydia, and a personal favorite, Colonel Fitzwilliam, all have parts in the drama. But they are not central to our story.

Goldsworthy's regiment, the 106th Glamorganshire Regiment is central and several characters within are our heroes who we follow. There are moments where POV shifts rather rapidly and so that detracts from a solid read of the material, as is always the case when a writer attempts to be so omniscient. And a giant caveat, as this is a piece of Military Historical Fiction, one might ask where is the romance?

We best not forget we have re-met Lydia Wickham nee Bennet, and though she is not central to our romance sub-plots, that Goldsworthy has given us this lady, shows his affection for Austen. And he has painted a picture of other romances as backstory, as well as the central quest of one of our fine young heroes of the piece.

One should not look to True Soldier Gentlemen for the romance, for that is secondary. (There is much that occurs in the Regency Era that can expand our knowledge of all that occurred in that era, so I read and review a great deal more than just traditional Regency Romances.)

Where this book shines is as a Military History, it is well researched to give one the sense of what regimental life was like at this time, and though Goldsworthy makes his heroes the first to stop dyeing their hair, cutting their queues, and the first to form a regimental mess, ahead of the other regiments serving under Sir Arthur Wellesley, once battle is joined he follows the scripts of what happened in those early days in Portugal in August of 1808. His use of language is vivid and evocative (those of faint heart, be prepared) and this is what makes the book shine amongst others that have also told us of these battles (Rolica and Vimeiro). If you ever would look to find out more detail of what occurred on the continent for the heroic troops of England, this may be the very place to start.

You can find a copy at Amazon com (US) and Amazon.co (UK)


Reviewed by David W. Wilkin

Please Bear With Me!

 

 

I'm in the process of updating archived pages, some of which are newly categorised in respective historical sub-genre. It's going to take a while to copy-paste all the listed books but I will get there eventually, it's a day by day slow slog.  

 

As you will see there are images in the right-hand column, each leading to the listed reviews. At the moment all pages are still available in the text listings.