Sunday, 16 November 2014

Latest Regency Review-Charlotte by Karen Aminadra




Those of us authors who write Regency Romances often also tackle the canon of Jane Austen and try to take her creations and add our own twist to them. This falls into a few groups, one that take the historical Jane and use her in their story, others who take her creations and are exceedingly true to them, as best they can, or take those characters beyond the short few paragraphs she left us at the end of her stories. I have done so and by so doing have put on paper my thoughts on how those characters would change. Ms. Aminadra has done so as well, using as her heroine, Charlotte Collins nee Lucas.

We are all familiar with the tale of Pride and Prejudice, and the farcical Mr. Collins whom Lizzy Bennet and Mr. Bennet both make fun of, though Lizzy for the sake of her friendship with Charlotte, when visiting and actually meeting the esteemed Patroness, understand more of what is in the nature of Mr. Collins. But that is the canon, and as Ms Aminadra weaves her tale, she has to embellish the few lines of what we guess will happen to the Collins'.

Charlotte of course is caught in the middle with what will occur post Pride and Prejudice as she will one day be the Lady of Longbourn and we know Mrs. Bennet the mother of her BFF is assured that she will be turned out right quick. Not that Mrs. Bennet should think that this is now as dire as it was before. From all the movies we have seen, Directors have chosen to show us that ten Longbourns could fit into any Pemberly and a room certainly could be found for her there, or at Netherfield. Yet back in Mertyn, one can be sure that Mrs. Bennet has something to say about Mrs Collins, the daughter of Lady Lucas who still is one of her closest friends, and rivals for attention in that neighborhood.

From this Ms. Aminadra is able to relate to us that Charlotte Collins has complexities, as well as from the Canon's reveal that Charlotte was never one to think she would wed for love. That clearly puts her on the quest to find love. And while Jane Austen left us with several ladies still in need of marrying at the end of Pride and Prejudice, of the men, their is but one, Colonel Fitzwilliam (discounting Denny and other men of the Militia Regiment we hardly met)

Close in approximation to reading one of Jane's works, we sometimes leave the POV of the women and see inside such men as Mr. Collins, or the Colonel. That is a depth Jane did not give us, but it adds to the brushed that Ms Aminadra paints this canvas with.

Here we are taken to a part of time, (though the idea that the Colonel and other officers could leave the theater of war easily is perhaps something that wasn't researched as well as it could have been) in the latest stages of the Peninsula Campaign years, (Wellington being referred to as Duke which came after that was over) that I believe the author means to be about 1812 to 1813. Shortly after Lizzy has accepted the marriage proposal of Darcy.

Charlotte, our hero is faced with trials that aid her to grow, and to have Mr. Collins see his life afresh, for now he is more than the client of Lady Catherine, but a husband, and as all married couples hope, to perhaps one day be a father as well. Yet there must be conflict and here Ms Aminadra adds lacquer to her painting, adding depth and dimension and perhaps a modern way of thinking of flirtation and dalliance that puts her on a part that causes change from the canon at a more accelerated pace, and even a different pace than those last few paragraphs in Pride and Prejudice might have allowed.

Some of these changes a reader will either enjoy very much. some elements that are added may cause the reader to feel that the characters have progressed much as they should. Other readers fearing that any change to the themes of characterization that Austen left us with is sacrosanct may have difficulty here. My favorite Lady Catherine, is the one of Edna May Oliver in the Olivier/Garson version of P&P where at the very end we see Lady Catherine telling Darcy to go offer for Lizzy is just the challenge he will need. Huxley changed Austen's intention in that 1940 screen classic, but I think it adds to the mystique.

Charlotte is a worthy read and should be explored by those who like all P&P sequels, and I am interested to see where Ms Aminadra is able to take us with her Austenesque work as well.

Available at Amazon US or Amazon UK

Reviewed by David

Monday, 3 November 2014

Historical Romance during the English Civil War

Gillian Bradshaw's
London in Chains

While this is a romance, that is not its strength. The romantic elements are not really developed as opposed to the historical context and background that Ms. Bradshaw provides us in what becomes an excellent glimpse into a time that perhaps most know little about.

London, after the victory of Parliament over Charles I was not all celebration and happiness, but was in turmoil, the victors fighting over the spoils of war as happens frequently when the victors are not led by one mind. We see this as our heroine comes to London for the first time and has to deal with allies who were oppressors, family that loves and hates her, and a city that is tightly held in an inflationary spiral which happens when a country has been beset by a war that has ravished it.

Add the religious pressures that Parliament was suffering as well to this mix where all those who know the truth of their vision of god tried to wrest control of the nation, and London is indeed in Chains as Ms Bradshaw names the book. What we see also is the rise of printing in this era and a comment that is made, about how no General would dare go to war without their own press, (which reminds me a great deal of Douglas Macarthur) and we see that our Heroine is poised to show us a glimpse of this period that I had no idea of. Before this work, I thought Parliament won, Charles was incarcerated and eventually Parliament voted to behead him, and then Cromwell was made supreme. Yet much was to be done before that happened as I now know. (I am a product of the US education system)

Though there is a romance for our Heroine, and some little time is devoted to it, it does not seem fully fledged as the hero of this action is taken away off stage. That there is some interaction and words between hero and heroine to put the building blocks for a relationship and that they view each other philosophically similarly might breed true, but still, if romance be ones first inclination, more should take place. If History is what you would like to delve into in a period piece, than look no further for the period of 1647 and 1648 one can do little better. At every turn of the page Ms Bradshaw is able to add depth to her world, painting with words details that little occurred to me, but that I think all would find enriching. I recommend this to those who find history of an interest in their reading.

At Amazon US or at Amazon UK

Reviewed by David

Monday, 29 September 2014

Latest Regency Romance/Mystery-The Regent Mysteries by Cheryl Bolen

Cheryl Bolen has brought together three of her stories of the Regent Mysteries together in a 'Boxed Set' which in digital form means three stories bundled as one. In the age of the cloud, we no longer can pull from our shelves these books that are all encased in a card board themed box.

The protagonists of these tales are Captain Jack Dryden and Lady Daphne Chalmers. Jack, an agent of the Earl of Wellington when the stories take place, has been seconded home to London at the request of HRH George, the Prince Regent. There is a serious problem that needs dealing with and George has decided he needs the 'best' so asks Lieutenant-General Wellesley to send him a man. Then, realizing the man is not rounded enough to deal with the Ton, the Prince asks that Lady Chalmers, a blue-stocking in the making that has everyone who meets her, forgive her for such antics, aid the hero.

That there are hints of a mystery that one can decipher the whodunit, as the only suspects we meet who are not historical by process of elimination have to be the culprits in each story, that leaves the love story. You must disregard the elements of the story to put this in that light. There are areas that have been well researched. Who the Prince Regent had affairs with and when, for instance.

There are parts that are not. Our Heroine decides to create characters, and give the hero a background, of diamond miners, fantastically wealthy diamond miners from South Africa. Where Diamonds and diamond mines are yet to be discovered and put into production. Further, Castlereagh and his agents, many of whom could interact easily with the Ton, would be closer to hand for the Prince Regent's needs.

So we have Daphne and Jack then, who through three mysteries, begin their courtship, their marriage and their honeymoon. With many improbables that we must put aside. Ms. Bolen seems to get inside the head of our blue-stocking and give her sense, reason, and the ability to think through situations like a chess match. Her hero, has those qualities of heroism that young ladies might idolize, but inside their own head, a man would little think of. But circumstance and events often have a way of making a match as well, and certainly that psychology works well here.

If you put aside the historic errors, and the jumps of logic that put these particular two into the mysteries that Ms. Bolen presents, then for a quick afternoon romp in the regency, you will find enjoyment. What we have is all a part of a series that is not fully mystery, not fully historical, not fully romance, but when mixed together each third makes for a pleasant whole.

At Amazon US or at Amazon UK

Reviewed by David

Friday, 26 September 2014

Georgian Romance - Seventh Heaven



Seventh Heaven by Elizabeth Bailey
 
 
Reviewed by Francine.
 
 
A Classic Georgian Romp!
 
The usage of Latin numerals for the renowned rather extensive and impoverished Berowne family is sheer author genius, and whilst all the respective siblings’ character traits shine through, Septimus [poet] outranks them all with his theatrical gestures and poetically inclined satirical wit. And how can the wealthy heroine, Lady Louisa, bedevilled by a surname that immediately draws the poet’s ear, ever hope to escape his inclination to verse? What is worse, no matter which way Louisa turns Berowne males step across her threshold or path with intent to wrest her from widowhood and to the altar quick sharp.
 
Louisa is far from a walkover conquest and her abrasive tongue temporarily quells specific male desires, but she becomes so embroiled in the affairs of the females of the Berowne family, she cannot see the danger of one male Berowne’s ambitions to outflank his brothers and gain due reward from villainous means. If not for the affable if irritating poet who wins her regard, Louisa’s fate might have proved dire to that which inevitably befalls her. And love it seems, as of old, blossoms in the strangest of circumstances. Hence, Seventh Heaven wins the day and will no doubt rule the proverbial home roost, and pray to heaven the happy couple’s future existence bears no resemblance to a theatrical farce, for this novel had me roaring with laughter from start to finish. This is a classic Georgian Romp!
 


Tuesday, 23 September 2014

Swept Away by Vanessa Riley



Review by Katie

"Swept Away is a Regency retelling of Cinderella with a twist."

Overall, I believe many weary evening readers will enjoy this short fairy tale.  Swept Away follows the [by now] familiar pattern for inversion of gender stories.  We all know how hard authors work to make sure heroines are strong, independent, fully functioning beings with beauty unsurpassed.  That is, they don't *really* need anyone; therefore it takes a fairy tale, or incredible sexual prowess, to make everlasting love believable these days, snuggling with your stuffed bear and / or eating too many M&Ms is optional.

The writing was pleasantly free of grammatical torment and sentences joyously complete, making this an easy read.  Usage of terms wasn't overly modern just ... nudging it a bit here and there.  For those familiar with fairy tales but not the Regency period, there is a mini-glossary found at the back.  There are enough little surprises to lead a reader on to the next chapter and a gentle amount of tension. Subliminal faith-lite italics are not random insertions; they do fit the characters/story and were well handled. Secondary characters are not distracting and the happily-ever-after no more unbelievable than the original tale.

Charlotte is slightly spoiled, beautiful as an angel, conflicted but determined [this description is surely trending in the top 5 somewhere].   I confess I had difficulty hand-waving the Duchess thing since the character spent much of the book in angst over both the title and responsibility of "a girl with a man's title.  How much did the duke pay the Mad Kind to keep his legacy."  At the end of the book, Ms. Riley explains the character's title is based on the 2nd Duchess of Marlborough.  [Anyone slightly familiar with the Regency period will know this took an Act of Parliament, not the King's whim; gossip and disdain notwithstanding, there was a reason for this singular exception] Money does not buy everything, not even in fairy tales, or so I used to think.

Regardless of the manipulation to create a young, unmarried Duchess, the character was too modern to reach me.  She was all about her delayed teenage rebellion to a man she adored in one chapter, resented as a tyrant in another [perfectly normal for the modern miss].  Most of her frustration would never have occurred to a young woman of the time.  Fathers were expected to rule and run a daughter’s life even from beyond the grave, that’s what a guardian, dowry and marriage settlements were for, to safeguard a daughter’s interest for *her* lifetime, not just her parent’s.   Yes, it is a fairy tale, but if the tale is set in Regency England, then there are certain parameters that apply to assist the reader in remaining in the story, fairy tale or not.   Modern woman angst just doesn’t exist there, at least not for me.

As a third in the Triad of Determined Duchess and Slippers, I found Edwin Cinder endearing in a Beta Hero sort of way. He has a step family that is, thoughtless and self-centered but hardly wicked.  Maybe I was raised by wolves or I am incredibly thick skinned but if verbal slights and jabs from your family are the worst thing to cope with in life I say - WOW! how blessed you are.

He certainly did not need rescuing from his sad life.  He was not sleeping on any hearth, was in fact supporting his step-family in style while maintaining a business and his own home - an amazing accomplishment in any century.  Neither was he treated disrespectfully by the world or especially unhappy, just busy, too busy to fuss over stylish attire.  What on earth he found charming about the Duchess of Charming, in the brief time they spent together, I never quite grasped.  What type of help mate she'd make him, or vice versa was left to the ethereal mist [no doubt sprinkled with dust from fairies, not coal].   In other words, as a Cinder[feller] he was pretty much a flop for me.  As a hero in any other romance, I might have adored him if he'd been given more page time.

Of course, it is a fairy tale with a twist. The twist being there isn't one, not really, except for the reversal of genders and the strangest proposal I've ever read.  It made me sigh, in an old biddy sort of way because the final twist was how the power to purchase triumphed.  Therefore, I am as conflicted as Charlotte about recommending this book.  I think it will appeal to many readers and annoy others, the middle ground is probably best advised to read the sample pages.

Purchase Swept Away 

Friday, 19 September 2014

Latest Historical-True Soldier Gentlemen by Adrian Goldsworthy


True Soldier Gentlemen

by
Adrian Goldsworthy

Mr Goldsworthy starts us in his tale of the exploits of a fictional English regiment ahead of the action that was to take place in the Peninsula Campaign by several months with the conquest of Madrid by the French. Such a terrible time can only be conveyed into words with tales of atrocities, which might not recommend such a work to the many woman who read of the Regency Era and the romances that are created for it.

Goldsworthy further mixes in, with a hint here, and a glimpse over there, a very familiar George Wickham, the well remembered Rake we have met through Jane Austen's creative work, Pride and Prejudice. He has a part to play here as well. Later, rather than earlier, we find that Goldsworthy's Wickham, along with his wife Lydia, and a personal favorite, Colonel Fitzwilliam, all have parts in the drama. But they are not central to our story.

Goldsworthy's regiment, the 106th Glamorganshire Regiment is central and several characters within are our heroes who we follow. There are moments where POV shifts rather rapidly and so that detracts from a solid read of the material, as is always the case when a writer attempts to be so omniscient. And a giant caveat, as this is a piece of Military Historical Fiction, one might ask where is the romance?

We best not forget we have re-met Lydia Wickham nee Bennet, and though she is not central to our romance sub-plots, that Goldsworthy has given us this lady, shows his affection for Austen. And he has painted a picture of other romances as backstory, as well as the central quest of one of our fine young heroes of the piece.

One should not look to True Soldier Gentlemen for the romance, for that is secondary. (There is much that occurs in the Regency Era that can expand our knowledge of all that occurred in that era, so I read and review a great deal more than just traditional Regency Romances.)

Where this book shines is as a Military History, it is well researched to give one the sense of what regimental life was like at this time, and though Goldsworthy makes his heroes the first to stop dyeing their hair, cutting their queues, and the first to form a regimental mess, ahead of the other regiments serving under Sir Arthur Wellesley, once battle is joined he follows the scripts of what happened in those early days in Portugal in August of 1808. His use of language is vivid and evocative (those of faint heart, be prepared) and this is what makes the book shine amongst others that have also told us of these battles (Rolica and Vimeiro). If you ever would look to find out more detail of what occurred on the continent for the heroic troops of England, this may be the very place to start.

You can find a copy at Amazon com (US) and Amazon.co (UK)


Reviewed by David W. Wilkin

Sunday, 7 September 2014

Please Bear With Me!

 
 
I'm in the process of updating archived pages, some of which are newly categorised in respective historical sub-genre. It's going to take a while to copy-paste all the listed books but I will get there eventually, it's a day by day slow slog.  
 
As you will see there are images in the right-hand column, each leading to the listed reviews. At the moment all pages are still available in the text listings.
 
 

Saturday, 6 September 2014

News Update!

Hi, I'm Francine, your new host at RRM.


First let me extend a big Thank You to Suzy who started this blog from scratch! And please extend heartfelt commiserations, as I do, in her recent loss of a loved one.  
 
 
 
 
I joined Suzy as a reviewer in the earlier phase of RRM as did Liza (a young lover of chick-lit novels) Nigella (a historian), a fellow journalist of Suzy's (Charlotte), and then along came Katie, Lorraine & Persephone. 
 
From Suzy's previous world at News International, Suzy thus stepped easily into the author sphere of books and that of up and coming new authors. Her ethos was to support Kindle Direct Publishing, and of course, authors who were signed up with small press publishers.  I think she did a grand job, and if I can do half as well, I'll be a happy bunny.
 
Unfortunately Suzy and I have encountered one major blip in the transfer of this blog to my blogger platform. The original admin facility has ceased to function, so we can't switch it from one to the other. Nor can we add authors to the direct post facility. However, Suzy did set up an email address especially for this blog, thus the e-mail portal is now mine and I have access to the blog. So folks, we're back in business...    
 
 

Friday, 29 August 2014

Latest Guest Review - A Sweet Regency

 
 
 
 
 

 
Reviewed by Francine.
 
 

Make no mistake this is a 'sweet' romance in the traditional vein of Regency novels bearing chaste content. Albeit Sophie (the heroine) has led a relatively free and adventurous lifestyle within the protective custody of her doting father, and that of young officers at her father's Jamaican garrison, she is nonetheless a well brought up young lady. Her father's death comes as a double blow, for her loss is hard to bear and her fate suddenly lies within the hands of Sir Charles Wentworth who resides in England.
 
 
Upon arrival in London her worst fears are realised. It is made quite clear to Sophie - by Sir Charles' sister - that her presence is an encumbrance to the family, which duly bodes ill for conviviality and sense of belonging. And of course, flights of a romantic bent in the direction of Arthur Wentworth (the eldest son) or his brother Henry, will not be tolerated.
 
 
Lady Fate (chance, luck, call it what you will) has other ideas, and whilst Sophie's heart flutters, and young gentlemen warm to her charms, the Wentworth household is turned on its axis, and Sophie takes flight. Thus romance has blossomed in wrong quarters, hearts have been torn as affections waver, and an elopement sets precedence for shameful recriminations. All in all, Jericho's Child lives up to a good old fashioned Regency caper. It's a lovely and lively read.
 
 
Amazon


Tuesday, 5 August 2014

Latest Review - What a Rake Wants



 
 
 
Reviewed by Lorraine.
 
 
What a Rake Wants – Maggi Andersen
1820. Visiting his impoverished family estates in Ireland, Kieran Flynn, 4th Viscount Montsimon, receives word that his services are required in London.  He is a diplomat, investigator, and spy for the King, and these are delicate times, with the coronation coming up, and the war between George and his estranged queen, Catherine, coming to a head. He is given a mission, but not an explanation.
A year after her unpleasant and unfaithful husband was killed in a duel, Althea Brookwood lives in a rented house in Mayfair during the Season. She has vowed never to marry again, but her Aunt Catherine has other ideas, and suggests that Flynn would be the ideal match. He is a rake, but there is no serious scandal attached to him. Althea is adamant that one unhappy marriage is enough. After Christmas spent with her aunt, she retires to Owltree Cottage, the only property left to her, in search of peace. There she is accosted by Sir Horace Crowthorne, owner of the surrounding land, who demands that she sell to him, as her husband had promised to do, ostensibly so that he can build a road there. He offers to let her stay if she becomes his mistress.
Determined to fight for what is hers, she consults her solicitor, who informs her that such is Sir Horace’s power, he could make a successful, if dishonest, claim upon her estate, which would leave her with nothing. She had better sell to him.
Instead, she seeks help from Lord Churlston, the best of her late husband’s friends, but he is murdered soon after their meeting. Sensing danger, Flynn advises her to leave London, but she approaches another of Brookwood’s old friends, Sir Percy Woodruff. In collusion with Crowthorne he tries to trap her, but she escapes through a window and climbs down a tree. Flynn rescues her.
He tells her that Crowthorne and his cronies believe that she has something of Brookwood’s that they desperately want to find, though no-one else knows what it is. In order to protect her against her will, Flynn abducts her and takes her with him to Canterbury, where he is spying on some of Crowthorne’s friends. When they return to London, they find her house has been ransacked. She recalls that Brookwood’s London house was also broken into immediately after his death.
Althea goes to stay with her Aunt Catherine, who now advises against choosing the impoverished Flynn as a husband; but she realises that she needs his help. He drives her to Owltree Cottage, where a trap is set to induce Crowthorne’s men to break in once more. Althea leaves with the housekeeper for London, but the coach is stopped and she is abducted on Crowthorne’s orders.
After her rescue, she decides that she will return to her old life, and that Flynn can offer her nothing.
His time is taken up in pursuit of Crowthorne, but it is Althea who works out where the mysterious missing object has been hidden.  Its recovery, and the implications for the Crown, mean that the whole affair is to be kept secret, and Flynn is to be given a reward that he does not want.
With Crowthorne still on the loose, Althea goes to Ireland to stay at Flynn’s home for safety’s sake.  Hearing that Crowthorne has taken ship from Liverpool, and fearing for Althea’s life, Flynn enlists the help of two old friends and goes after him.
This is a convoluted tale of people chasing people hunting for unspecified objects, and partial information being supplied to those who need it most. Spies, villains, murderers, and royal secrets put at risk all tangle together to make a likeable story.
The title is misleading; Flynn is rather an accomplished flirt than a rake, and behaves like a gentleman throughout. 
Owltree appears as both Cottage and Manor. The King’s residence is Carleton and Carlton House. Crowthorne is Sir Horace and Sir Henry.
Various plot devices are well-flagged in advance, and there is homage to Heyer in the shape of Flynn’s dog; but this is an entertaining novel, spoiled only by the very late introduction of characters from previous novels. This works better if the reader is familiar with them; otherwise they are an awkward and unnecessary intrusion, serving solely as a reminder that this is the third of the Spies of Mayfair series.
 
 
Point of sale Amazon